77. Pinch-harmonic contact-and-audio sync

Community reference

Original title: 77. Pinch-harmonic contact-and-audio sync

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Original prompt

An adult guitarist sits in a compact recording studio with one black electric
guitar and a microphone at frame-left. Preserve the same face, clothing, guitar
body, six strings, fret layout, cable and seated position. No wall text or logo.
Audio consists only of the performed guitar, amplifier response and quiet room tone.

0–3 s: Medium close-up, slow push toward the neck. The left hand frets one high
note on the third string; at 2.2 seconds the pick and outer thumb edge contact
that same vibrating string in one motion, producing a clear pinch harmonic.
3–7 s: Cut to an extreme close-up of the picking hand. Show the pick attack,
brief thumb-node touch and immediate release. The left hand adds narrow vibrato;
only the contacted string vibrates strongly while neighboring strings stay damped.
7–11 s: Arc slowly toward the fretting hand as the note sustains. The guitarist
presses the whammy bar once for a shallow pitch dip, releases it to neutral and
lets amplifier feedback bloom without another pick attack.
11–15 s: Pull back to medium. The right palm mutes the strings once, the sound
decays to silence, both hands relax and the performer gives the camera a small nod.

24 fps documentary motion, tactile metal strings, realistic fingertips, tendon
movement, pick flex and shallow lens breathing. Every sound begins at its visible
contact and stops at the visible mute. No extra fingers, fused hand, string count
change, impossible fret position, self-playing strings, pre-contact sound, fake
lyrics, background music, duplicated guitar, generated captions or exaggerated
stage lighting.

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