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243. Center-stage 360 concert orbit and crowd-return continuity

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Original title: 243. Center-stage 360 concert orbit and crowd-return continuity

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Original prompt

Create a photorealistic 30-second golden-hour festival performance built around
one original adult reggae singer, one live band and one audience. The camera may
leave the singer for a crowd cutaway, but it must return to the same performance
state, stage position and light direction.

REFERENCE OWNERSHIP
@Image1 SINGER owns only the adult artist's face, warm-brown skin, long
dreadlocks, light beard, patterned open shirt, layered necklaces, microphone
and relaxed joyful presence.
@Image2 STAGE owns only the wide outdoor platform, lighting rig, sunset
orientation, band positions and crowd-to-stage geography.
@Image3 BAND owns the appearance and instruments of the drummer, bassist,
guitarist and keyboard player.
@Image4 CROWD owns audience diversity, wardrobe range and scale.
Use references as appearance truth, not as frames to recreate. No reference may
replace another asset's identity or spatial role.

PERFORMANCE AND GEOGRAPHY LOCK
The singer remains on the center-stage mark for the entire piece, facing the
audience and performing the same original song. The drummer stays rear-center;
bass, guitar and keys keep their declared sides. The crowd remains in front of
the stage. Golden sunlight comes from one fixed rear-side direction and the
stage fixtures keep the same warm palette. Preserve the singer's verse,
microphone hand, body rhythm and vocal energy across all cuts.

0–12 s — Complete artist orbit.
Open from a slightly elevated wide-medium view and perform one smooth clockwise
360-degree orbit around the singer. Keep the singer continuously framed near
center while the band, crowd, lighting rig and horizon rotate in correct
parallax. Begin and finish on the same camera side with matching focal length,
height and stage geometry. Dreadlocks and shirt respond naturally to the same
breeze. Do not hide a teleport, reverse direction or turn the orbit into a
series of unrelated angles.

12–22 s — Audience response.
Cut on a clear musical accent to a broad sweep above the front rows. Travel
laterally across the audience as people sway, dance and lift their hands in
different natural rhythms. Keep the stage visible long enough to establish
orientation, then pass through closer reactions before finishing on a view that
points back toward the singer's center mark. Maintain the same song phrase,
sunset color and crowd density; no replacement audience or new venue.

22–30 s — Return and proof of continuity.
Cut on the next downbeat back to the singer mid-phrase at the same center-stage
mark. Match microphone hand, posture, dreadlock motion, band layout and sun
direction to the state established before the crowd cutaway. Use a controlled
forward arc rather than another full orbit. Let the singer lean toward the
audience, the band lift the groove and the crowd answer with one coordinated
cheer. End on a warm triumphant medium-wide frame that contains singer, band and
front rows together.

CAMERA AND LOOK
Festival-aftermovie realism with natural skin and fabric texture, believable
stage scale, warm amber and honey color, restrained flare, atmospheric haze,
fine film grain and physically correct depth changes. Use stable aerial or
crane-like motion only for the declared orbit and crowd sweep. Preserve horizon,
screen direction, focal continuity and camera inertia. Do not mix drone height
with an impossible close face orbit.

AUDIO AND EDIT MAP
Use one original soft roots-reggae track recorded as a live performance. Keep
tempo, vocal timbre, lyric position and instrument arrangement continuous
through every cut. Add stage monitor spill, crowd murmur, occasional cheers and
open-air ambience without drowning the singer. Cut at 12 and 22 seconds on
audible beats; never restart the song, change vocalist or jump to another verse.
Lip motion follows relaxed singing rather than exaggerated speech.

ACCEPTANCE
Pass only if the first block completes a readable 360-degree orbit; the singer
stays on the same center mark; band and crowd geography survive the orbit; the
crowd shot preserves the song and leads the eye back to stage; the final block
returns to the same artist, lyric moment, microphone hand, light direction and
performance energy; and the delivered file measures 30 seconds.

No identity drift, haircut or dreadlock change, wardrobe swap, duplicate singer,
instrument substitution, band-member teleport, new stage, moving sunset,
mirrored venue, reversed orbit, incomplete circle, fake crowd loop, synchronized
clone dancing, floating microphone, mouth-audio mismatch, song restart, sudden
studio mix, impossible drone proximity, overdone flare, desaturation, subtitle,
logo, watermark or undeclared text.

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